For Women's History Month, our logo is spreading girl power | CBC Arts - Action News
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For Women's History Month, our logo is spreading girl power

Jenn Woodall draws girls super girls, tough girls, magic girls. She did our logo for October.

Jenn Woodall draws girls super girls, tough girls, magic girls. She did our logo for October

Fighting evil by moonlight, designing CBC Arts logos by daylight ... (Jenn Woodall)

Every month, we feature a new take on the CBC Arts logo created by a Canadian artist. Check out our previous logos!

In Jenn Woodall's world, every woman's a superhero warriors with the passion of Sailor Moon and the keys to Tank Girl's closet. "I'm an illustrator and comics creator whose work focuses on feminist issues," she tells us over email, and if you melted your brain on '90s cartoons, her girl-powered drawings are like a Crescent Moon Wand for the imagination.

"[I'm] attempting to create a visual sense of empowerment," she explains.And that's a big reason why CBC Arts asked the artist (whose work is currently featured in the Art Gallery of Hamilton's indie comics exhibition) torevamp our logo. It's Women's History Month here in Canada, and in Woodall's hands, we're strutting into October with some mighty company.

Get to know her!


Name: Jenn Woodall

Age: 33

Homebase: Toronto

Let's talk about your design! What inspired your take on the CBC Arts logo?

I was approached to do the logo for Women's History Month which I was really excited about since the majority of my work focuses on depicting women. I wanted to design a logo that represents a variety of women from various backgrounds to try and make as inclusive a design as possible.

From what I've seen, badass women are all over your comics and artwork, and whether they're holding baseball bats ormagic wands, they seem like they could take anyone in a fight. How did you start drawing these awesome tough girls?

I grew up watching Sailor Moon, Power Rangers and X-Men, so I think those things had a big influence on a younger me. I started doing these types of illustration when I attended university in my early 20s. I was studying fashion design at the time, and I think this art was part of a reaction against the sexist and often limiting way women are represented in fashion advertising. I also started reading alternative comics at this time as well, which really inspired me to start drawing with a renewed personal focus.

Why did it become a focus?

Honestly, I just started making this work because I genuinely enjoyed doing it. In retrospect, I think it was a way to channel my frustrations and anger into something productive. I always had sketchbooks of these types of drawings, but I didn't share that work very often. But when I did start sharing it with others, I was really surprised at the positive response and how others seemed to find a sense of empowerment from my work. So I started to focus on this more personal type of work more and more. Now when I'm sought out for jobs, it is almost always in reference to this type of work I make.


I didn't realize that you work in film wardrobe, too! I am very tempted to ask you a million questions about the Handmaid's Tale costumes, but I'll ask you this instead: how does that work influence what you do as an illustrator?

Yes, I actually worked as a costume designer/builder before I switched to focusing on illustration and comics. I've always had a love of fashion/costume and I think it comes across obviously in my work. I put most of my characters in stylish streetwear but I've also done illustrations of girls in futuristic space suits. I think style is just another vehicle for self-expressionwhich can not only be used in your real life but in your art and your world-building.

What's the project you're most proud of?

One of them would be getting to do the illustrations for Girl Squads by Sam Maggs. It's a book detailing important female friendships across history which had huge cultural impacts. It was a very fun project and I was really passionate about the topic, plus I've known Sam for a while and she was great to work with.

Who is the last artist you discovered online?

I've been really loving the work that Olivia Fields and Little Thunder post on social media. I would recommend seeking them both out.

What work of art do you wish you owned?

I have always wanted to own a piece of Moebius (Jean Giraud) artwork. Or I would love to own a piece of original Moyoco Anno artwork.

What's your favourite place to see art?

The internet! That's what I use social media for the most. My Instagram and Twitter almost exclusively follow artists.But I do also love going to art shows, exhibits and museums whenever I can.

Where can we see more from you?

My website isjennwoodall.combut I also have Instagram (@funeralbeat) and Twitter (@jenn_woodall).