Haviah Mighty looks inward on her personal new album Crying Crystals | CBC Arts - Action News
Home WebMail Friday, November 22, 2024, 04:41 PM | Calgary | -10.8°C | Regions Advertise Login | Our platform is in maintenance mode. Some URLs may not be available. |
ArtsQ with Tom Power

Haviah Mighty looks inward on her personal new album Crying Crystals

The Toronto-based rapper brings the same lyricism and creativity that led to her win the 2019 Polaris Music Prize to her latest album, which explores her personal struggles and relationships.

The Toronto-based rapper returns with her most candid record yet

Haviah Mighty sitting in front of a studio microphone against a wood-panelled wall.
Haviah Mighty in the Q studio in Toronto. (Amelia Eqbal/CBC)

On her latest album, Crying Crystals, Haviah Mighty ventures out of her comfort zone, looking inward for inspiration. The record is an exploration of her personal struggles and relationships that incorporates inventive wordplay and a blend of music genres.

"This project is much more internal and [about] my perception of my world," Mighty says in an interview with Q guest host Talia Schlanger.

"It becomes much more nerve-wracking what people's opinions would be on those thoughts of mine because they're so personal, as opposed to this outer viewpoint. It's just more vulnerable, more raw, and it feels like it's like the layer beneath your skin that people are able to see."

In 2019, Mighty's first studio album, 13th Floor, won the Polaris Music Prize, receiving praise for its commentary on institutional racism and social injustice. Her 2021 EP Stock Exchange similarly won a Juno Award in 2022.

As an artist who's used to smashing expectations and doing things her own way, Crying Crystals is a continuation of Mighty's musical evolution. She says she pushes herself to make music that represents her complex identity and shows a peek of who she is beneath the surface.

Her hard-hitting break up track Honey Bun is about getting over an ex by displaying a confident and unbothered facade even if it's a lie.

"[It's] kind of the braggadocious face of the album the flawed confidence, the I'm over it, pretend I'm over it," she says of the song. "But I needed that to actually get to the place of being over it, because then I had to learn how I was filling voids and I had to recognize how I was not actually healed."

Intertwining personal anecdotes with catchy Caribbean and R&B influences sets Mighty's latest album apart. "I started rapping when I was 12 and I feel like my early exposure to rap was battle rap era," she says. "So having those different cadences and having different flows kind of morph in and out was, I think, my original style. And I think I've maintained that through my process of writing."

Crying Crystals represents a fuller picture of who Mighty is as a Black queer woman.

"I try to represent that because I do actually understand both sides," she tells Schlanger "I am Jamaican-Canadian, and I am queer, and I understand what it means to be both and they do coexist. All of that lives within me, so Crying Crystals is a way to showcase that."

The full interview with Haviah Mightyis available onour podcast, Q with Tom Power. Listen and subscribe wherever you get your podcasts.


Written by Mofe Adeniran.Interview withHaviah Mightyproduced by Vanessa Nigro.

For more stories about the 50th anniversary of hip-hopincluding Tom Power's conversations with some of the artists who witnessed and shaped the genrecheck out Hip-Hop at 50 here.

A banner featuring Saweetie, Wyclef Jean, Michie Mee, Charmaine, Yung Gravy, bbno$ and Maestro Fresh Wes, with the words