'It's not a pornographic presentation': Rufus Wainwright's Hadrian and other boundary-pushing operas

Forbidden love. Sex. Betrayal. Murder. As far as its content, the new production Hadriancomposed by RufusWainwright and staged by the Canadian Opera Company falls squarely within the canon of classical operas the pop musician has long admired.

With one exception: Hadrian centres on the love story between the eponymous Roman emperor and a young Greek man named Antinous, believed by some historians to have been the great love of his life.

"I'm a gay man, and gay men have been fans of opera for hundredsof years, but sadly there's not been any big characters who are gay on the stage," said Wainwright,during a break atthe opera's dress rehearsal earlier this week. Hadrian has its world premiere at Toronto's Four Seasons Centre for the Performing Arts on Saturday.

Hadrian features some nudity and a sex scene between two men, but Wainwright doesn't think it'll upset more traditional opera-goers.

"We felt it necessary to illustrate the gay love act as itis, but we wanted to do it tastefully.It's not a pornographic presentation," he said.

Most opera lovers are "pretty sophisticated, so I actually don't think they'll be as fazed as one would think," he said.

After all, opera fans have been faced with much more shocking farethan Hadrian in the last few years. There have been a wide range of provocativeopera productions that challengedaudiences for a variety of reasons: from the inclusion of graphic sex and violenceto staging that incorporates insensitive political or historical contexts.

Royal Opera House:The Kasper Holten years

During the six-year tenure of Danish artistic directorKasperHolten, the Royal Opera company housed within London's quaint Covent Garden showed operas that were anything but.

His 2016 production of Lucia di Lammermoorhad the audience booing and demanding refunds after watching scenes involving sexual violence, stabbingand a miscarriage shown in graphic detail. Some critics were fans, though, with the Guardian's Erica Jeal calling it disturbing but powerful.

That production came on the heels of 2015's Guillaume Tell, which featured a nude rape scene that outraged many patrons.Earlier, the company's Rusalkain 2012 included scenes of a cat sexually assaulting a water nymphand a gritty brothel among its backdrops.

Still, Holtenseemed defiant. Around the time of his 2017 departure, he said depictions ofsex and violence still have a place inmodern opera.

Nazi-themedTannhauser

What was supposed to be one of the highlights of the celebration of the bicentenary of Richard Wagner's birthin 2013came to a crashing halt upon opening night of a modern "update" of Tannhuser.

The new version of what was originally a romantic operawas set in Nazi Germanyand included scenes of performers singing in gas chambers and a family having their heads shaved before being executed. The audience booed loudly and many people stormed out mid-performance.

Some opera-goers were said to be so traumatized thatthey had to receive medical assistance.

• Nazi-themed Tannhauser opera nixed in Germany

The director of Germany'sRheinoper, which staged the production,said the intent was to "mourn, not mock" Holocaust victims, but it was clearly a message lost in translation.

The production was cancelled almost immediatelyand re-imagined as a concert alone, without the Nazi-themed staging.

Fans of the art form have been faced with the unexpected since its earliestdays and myriad boundary-pushing interpretations since.

Take Richard Strauss'sSalome, for instance. Based on Oscar Wilde's take onthe tale of the biblical temptress, itwas deemed so sexual in its original 1905 incarnationthat opera star MarieWittichrefused to perform its famed Dance of the Seven Veils, necessitating the employment of a dancer. The piece was banned in London until 1907and audiences regularly rioted and walked out during its performances.

A #MeTootake on Don Giovanni

Incarnations of Don Giovanni (or Don Juan) have landed on "most shocking operas of all time" listsbecause its subject matter is so innately sexual: the misadventures of a Lothario who uses and discards women, often with tragic consequences.

An upcoming interpretation could also prove controversial: Opera Queensland's rendition that promises to be a #MeToo take on Mozart's classic. The new version is directed by a woman, Lindy Hume, whowanted to change the ending byletting the women Don Giovanni has discardednot a patriarch figuredeliver comeuppance to the cad.

These women are to be naked.Opera Queensland put out a call for 200 women to appear nude or nearly nude in the role of "Furies" who drag Don Giovanni down to hell.

"We want as many women as we can who are up for the adventure of tearing down to hell one of the great misogynistic womanisers in history, Don Juan," Hume said in an interview with Australia's public broadcasterABC.

How the audience will perceive the feminist message will be seen when it premieres Oct.19.