My name is Kayla Reefer , I am 28, currently based in the Greater Los Angeles Area. I am Black & Latina, of Afro-Panamanian descent. I am a multi-disciplinary artist and entrepreneur although I am primarily known as a photographer, but I would like to think I am more than what people see me as. Aside from photography, I am the owner and Creative Director of sister companies Jeune and PLETHORA .

The most specific memory I have for when I started becoming autonomous with my creativity is early Middle school, I was around age 11-12. There were these group of girls I would hang out with that wanted to start a step team so I self-appointed myself the responsibility of designing the outfits. I basically designed the uniforms as basketball jerseys and shorts with this sort of multicolored airbrush pattern on them. The step team never happened, but for whatever reason I just kept drawing and coming up with all these ideas for things I wanted to wear at the time but didnt have access to. After a while, I had binders full of designs ranging across hats, T-shirts, pants, jeans, sweaters, sneakers and more. Virtually expanding into drawing up sketches of everything under the sun. By the time high school came around, Id come up with four different clothing lines, hundreds of designs and all sorts of startups. I sold a few tees from a couple of small ideas I had at the time but other than that, most of what Ive thought of hasnt seen the light of day. Not yet at least. Since then, Ive carried on approaching things with the same whimsical nature. Creating simply for the sake of doing so, and in a way that is authentic to me and my story.

I feel like my identity allows me to see everything from this perspective that only a select few can tap into. Being both Black and Latina, Im at this beautiful intersection of culture, flavor, sense and communication. Especially with my family being from Panama specifically, thats another added layer to my identity. We carry ourselves a certain way, we speak our own language within the Spanish language itself. Theres literally an online Wiktionary that provides and intersects the complexity of Panamanian vernacular. The architecture, the music, our mannerisms, food, the typography on the local corner shops, its all distinctive.

I try my best to incorporate that specific individualism throughout everything I make. Whether it be through the symbolism I use when coming up with designs, specific typefaces, the fabrics I use when I put together my sets, all the way down to the way I use certain tones and color palettes. It all comes together, organically.

As a Black womxn, I also find that I approach things with this hyper-aware sense of care. No detail is overlooked, and more than likely Ill add some sort of personal touch. I genuinely want people to feel seen and supported through my work, in whatever medium or iteration that it may be in.

I started Identidad for a few reasons. The first being a personal archive for my family. There are so many family members that I unfortunately didnt get the chance to meet due to their passing and aside from that, there is missing documentation and images of them. Identidad is my attempt to fill the gaps, while also learning more about both sides of my family history, getting to know each of my relatives individually and the trajectory of our lineage.

Identidad is also an extension of a wider subject I wish to address when it comes to the misrepresentation and inherent erasure of Afro-Latinx folx and how we do (or more so do not) function within the social dichotomies of latinidad. So, the series starts with my family, but it certainly does not end there. As I continue to make images for this project and do more research (because I still have so much to learn myself) my goal is to further extend my studies across the African diaspora, specifically within the Central American, South American, and Caribbean regions.

Hmm, this is a tough one because I feel like it happened naturally. But I think I found my own distinct visual voice by staying true to the purpose of each medium as I applied it to my creative process. I learned as much as I could about each craft and the more practice and experience I gained, the more I went honing into my own personal style. Its taken a few years to develop because a lot of what I aspired to visually has changed and that has directly inputted itself into my work.

Since I have developed my own visual language, what I see in photography I can apply directly to film or even design. The concepts shift as they move through different applications. To be quite honest, Im not entirely sure I would consider myself a clothing designer just yet. While I have been designing in private for years, Im just now getting started publicly. Theres still so much I have to learn in that regard, but Im looking forward to finding my voice in that as well.

I definitely see a reflection of my upbringing in my multi-disciplinary work! I get my entrepreneurial business side from my father. He works endlessly hard, owning and operating multiple businesses all at once. Most of the time when I talk to him, hes at work, handling or fixing something. I figured if he could find something that hes passionate about and start his own business then I could too.

When it comes to the arts & crafts and self-expression, thats my mothers side for sure. She herself is very crafty. Growing up Id remember shed always be working on these ceramic houses. Collecting and painting each one of them individually, hanging them all about the house. She also was/is very naturally good at drawing. Which is something I dont understand because Im terrible at it. Although she doesnt indulge in it too much anymore, her fervor for art making is absolutely still there.

I also have an uncle who is an incredible painter. An aunt who makes her own beaded handbags from scratch. Another aunt who has all these home remedies and is all around well-knowing, seeing. She can pretty much fix anything the family list goes on from there.

These are the people I come from. They all do these things because they simply like to do them and theyre good at it. I think its no surprise as to why I am like this too.

As clich as this may sound, I say just do it. Thats one of the biggest issues I personally have. I am the type of person who wont make a decision until Ive weighed all 20 possible options. You know that gif with the mathematical equations flying around and the person behind them is very obviously perplexed? Thats me. I am an overthinker by nature; I need answers and things have to make sense to me.

But thats just it, some things simply dont make sense. Some questions truly dont have answers. So, while youre over here doubting yourself and stopping your progress out of fear, you couldve just done it 20 options ago.

Obviously, I recommend that budding entrepreneurs act responsibly. Have a budget mapped out. Figure out what youre comfortable spending, whats your absolute cap? And if things dont go as planned (which they more than likely wont) how much, if at all, are you willing to go over your initial budget to invest more? See what works for you and then just do it.

Budget notwithstanding, the most important part of this process is having a real conversation with yourself. This doesnt apply to everyone, but for me personally, things that I make have to be born from some sort of intention and those intentions have to be pure. Ask yourself what youre bringing to the table that really separates what youre doing/creating from others. Why do you want to create or do this thing? Is this reasoning self-serving? Does it extend beyond materialistic gain?

In my opinion, if you go into something for the wrong reasons its just not worth it and its never going to work out.

Someone recently described Jeune and PLETHORA as opposite sides of the same spectrum and I love that analogy. I love how people are naturally coming to that conclusion on their own because thats basically what Jeune and PLETHORA are. They are two separate representations and expressions of myself that coexist fluidly. Id like to play around more with what that means.

As far as tangible items, I would love to drop a couple more things before the end of the year. There are so many ideas that Im aching to bring to fruition! However, Im not putting any pressure on myself to meet any hard deadlines seeing as the world is in constant flux right now and I feel as though life is only going to get more intense. While I usually push through Ive found it reinvigorating to take some time away, rest, and reset. If it feels good, Ill release more items and if not, Ill hold on to them until I feel like its time.

There has been a lot of growth for me and my career this year as an entrepreneur and photographer. While it was always my plan to officially launch both brands this year, doing so during a pandemic and subsequent state-sanctioned violence was not something I anticipated. Moving forward, Im going to focus more on personal growth. Im trying to work on a no-pressure basis. Its more fun that way.